Thursday, January 30, 2014

Literature Analysis: The Kite Runner by Khaled Hosseini



Lit. Analysis: The Kite Runner by Khaled Hosseini
1. The story begins (exposition) with Amir talking about his childhood.  He says that he became what he is today on the day he turned twelve which cues us that he his looking back on his life and foreshadowing something bad to happen.

Tuesday, January 28, 2014

Lit terms 4

Interior monologue: the expression of a character’s thoughts, feelings, and impressions in a narrative.  Can be indirect- in which the author serves as selector, presenter, guide, and commentator… or direct- in which the author doesn’t exist and the interior self of the character is given directly as though the reader is overhearing an articulated stream of thought and feeling flowing through the character’s mind
“It really made you feel like an idiot, raising your hand this way.”

Inversion: changing the conventional placement of words
“The dark side, I see in you.”

Juxtaposition: when an author places a person, concept, place, idea or theme parallel to each other to highlight the contrast in comparing them
“Her rosy lips touched her withered cheek.”

Lyric: having the form and musical quality of a song and especially the character of a songlike outpouring of the poet’s own thoughts and feelings as distinguished from epic and dramatic poetry
Turn back the heart you've turned away
Give back your kissing breath
Leave not my love as you have left
The broken hearts of yesterday


Magic(al) realism: characterized by elements of the fantastic woven into the story with a deadpan sense of presentation.
Like Water for Chocolate is an example of magical realism.

Metaphor (extended, controlling, & mixed): refers to a meaning or identity ascribed to one subject by way of another.  One subject is implied to be another so as to draw comparison between their similarities and shared traits
Henry was a lion on the battlefield.

Metonymy: not using a formal word for an object/subject and instead referring to it by using another word that is intricately linked to the formal name/word.
“The white house is releasing a statement…”  The white house is actually the president because a house itself cannot do that.

    Modernism: Marked by a strong and intentional break with tradition. This break includes a strong reaction against established religious, political, and social views.
    Belief that the world is created in the act of perceiving it; that is, the world is what we say it is.
    There is no such thing as absolute truth. All things are relative.
    No connection with history or institutions. Their experience is that of alienation, loss, and despair.
    Championship of the individual and celebration of inner strength.
    Life is unordered.
Concerned with the sub-conscious.
F. Scott Fitzgerald’s Great Gatsby is an example of modernism.

Monologue: a part of a drama in which a single actor speaks alone but to others
St. Crispin’s Day Speech could qualify as a monologue.

Mood: the definitive stance the author adopts in shaping a specific emotional perspective towards the subject of the literary work
The mood the author gave in the Kite Runner was optimistic.

Motif: an element, subject, idea or concept that is constantly present through the entire body of literature.
In Paper Towns, ‘paper towns’ was a consistent motif in the novel.  It was about being fake and unrealistic.

Myth: traditional or legendary story usually concerning some being or hero or event with or without a determinable basis of fact or a natural explanation, especially one that is concerned with deities or demigods and explains some practice, rite or phenomenon of nature
Hercules is a myth.

Narrative: a story or account of events, experiences, or the like, whether true of fictitious
When I told my mom how my day went, it was a narrative.

Narrator: a person who gives an account or tells the story of events, experiences, etc.
I was the narrator of the story when I was talking about my day.

Naturalism: a specialized variety of realism which shows that people are fated to whatever station in life their heredity, environment, and social conditions prepare them for… Emphasis on environment and survival of the fittest.
The Hatchet is an example of naturalism.

Novelette/novella: a short novel, a fictional prose narrative that is longer and more complex than a short story
Breakfast at Tiffany’s is considered a novella.

Omniscient point of view: a method of storytelling in which the narrator knows the thoughts and feelings of all the characters in the story
“She looked down and saw the cracks in the sidewalk and thought about how she cracked she was, just like the pavement.”

Onomatopoeia: a formation of a word by imitation of a sound made by or associated with its referent
Buzzzz, Snnnnaaaap, Zipp, HONK!

Oxymoron: a figure of speech by which a locution produces an incongruous, seemingly self-contradictory effect
Cruel Kindness.  Big Shrimp.

Pacing: the movement of a literary piece from one point or one section to another
This well-paced novel will keep you turning its pages long past your bedtime.

Parable: a short, descriptive story that illustrates a moral attitude or religious idea, a fable in its lack of fantastic or anthropomorphic characters but is similar in length simplicity
The Boy Who Cried Wolf is a parable.

Paradox: a figure of speech in which a statement appears to contradict itself
"Some day you will be old enough to start reading fairy tales again."
(C.S. Lewis to his godchild, Lucy Barfield, to whom he dedicated The Lion, the Witch and the Wardrobe)

Monday, January 27, 2014

Grisham College Video Notes: A Tale of Two Cities


  • wrote a play about love
  • Turnens- fell in love with Ellen and left his wife for her
  • Tale of Two Cities- Lucie- supposed to be based upon Ellen visually
  • Wanted to name Sydney Richard at first
  • 1858- began public reading for profit, became the greatest reader and writer to his fan
  • May 1858- separated with his wife... "Domestic Trouble of mine"
  • Tale of Two Cities was printed in different chapters
  • Set in London and Paris
  • Young Dickens worked as a child and saw some dark things as a child in London
  • Wretchedness and darkness but great fascination in London
  • Hard to write when he was away from London
  • Hyped up about Paris
  • Lived in political turmoil
  • Paris was a great city to live in during Dicken's time
  • Dicken's illustrator was long time and his pictures are deemed below his normal skill for Tale of Two Cities... difficulty with historical content
  • If broken down, you can analyze his use of cliff hangers and the character/plot development through the story
  • Historical, revolution, castles, execution, broken hearts
  • authoritative voice 

Sunday, January 26, 2014

Lit 3

Exposition: explanatory stage of plot
The exposition sets up the story.

Expressionism: a technique of distorting objects and events in order to represent them as they are perceived by a character in a literary work

Fable: a short tale to teach a moral lesson, often with animals or inanimate objects as characters
The tortoise and the hare is a fable.

Fallacy: an argument that uses poor reasoning
“That painting is worthless because I don’t recognize the artist.”

Falling action: part of the plot that occurs after the climax has been reached and the conflict has been resolved
The falling action ties up all the loose ends after the climax.

Farce: a light, humorous play in which the plot depends upon a skillfully exploited situation rather than upon the development of a character.

Oscar Wilde’s “The Importance of Being Ernest” is a good example of farce in which the characters are stereotypical English upper-class through which Wilde made fun of the elite.

Figurative language: language that contains or uses figures of speech, metaphors
You are what you eat.

Flashback: an event or scene takes place before the present time in the narrative is inserted into the chronological structure of the work
The man flashes back to his life before he was married.

Foil: another character in a story who contrasts with the main character, usually to highlight one of their attributes.

Folk tale: a tale or legend originating and traditional among a people or folk, especially one forming part of the oral tradition of the common people
The Three Billy Goats Gruff is a folk tale.

Foreshadowing: to show or indicate what is to come
Khaled Hosseini foreshadowed his inevitable return to Afghanistan in the beginning of the book.

Free verse: a verse that does not follow a fixed metrical pattern
After the Sea-Ship—after the whistling winds;
After the white-gray sails, taut to their spars and ropes,
Below, a myriad, myriad waves, hastening, lifting up their necks,
Tending in ceaseless flow toward the track of the ship – Walt Whitman

Genre: a class or category of writing
The Kite Runner is under the realistic fiction genre.

Gothic tale:

Hyperbole: an obvious and intentional exaggeration
“He was as tall as a tree.”

Imagery: the figurative description or illustration
Authors use imagery to give a greater sense of the story’s atmosphere and environment.  “The white cloud seemed to dance over the horizon in the wind.”

Implication: something that is implied
“I can’t remember anything from the party last night.”  The implication is that the person got hammered last night at the party.

Incongruity: not harmonious in character
Character’s face incongruity when it comes to their actions versus their thoughts.

Inference: a proposition reached by a process of inference
The woman’s inference was incorrect when she thought the man did not want to talk to her based upon his short responses when actuality he was short with her because he wanted her to ask what was wrong.

Irony: a technique of indicating as through character or plot development an intention or attitude opposite to that which is actually or ostensibly stated.
The bully was beaten up by his classmates.

Sunday, January 12, 2014

Lit terms: list #1

Allegory: n. a symbolic narrative
Plato’s Republic is also called the Allegory of the Cave because the cave represents the ignorance of citizens in a republic.

Alliteration: n. a commencement of two or more words of a word group with the same letter.
Annie’s ate an apple.

Allusion: n. a casual reference, an incidental mention of something directly or by implication.
The Band of Brother’s television show is an allusion to the St. Crispian day speech in Henry V.

Ambiguity: n. an unclear meaning or intention
Mr. Darcy’s actions were surrounded by ambiguity during the beginning of the novel but Elizabeth finally realized his intentions behind it in the end.

Anachronism: n. something or someone not located in its correct historical or chronological time.
Hipsters are the modern day anachronism bringing back all the fashion trends of the past.

Analogy: n a similarity between like features of two things on which a comparison may be based.
The heart and a pump can be an analogy because they have similar jobs.

Analysis: a method of studying the nature of something or of determining its essential features and their relations.
My literature analysis on Paper Towns studied the plot, characterization, and literature techniques in the novel.

Anaphora: n. repetition of a word or words at the beginning of tow or more successive verses, clauses, or sentences.
"It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place."
(Holden Caulfield in J.D. Salinger's The Catcher in the Rye, 1951)
Anecdote: n. a short account of a particular incident or event, especially an interesting or amusing nature.
A monologue about how you once went to the ER when you broke your foot when you slipped on a banana peel would be an anecdote.

Antagonist: n. the adversary of the hero or protagonist of a drama or other literary work
Malificent is the antagonist in Sleeping Beauty.

Antithesis: n. the placing of a sentence or one of its parts against another to which is opposed to form a balanced contrast of ideas.
“Give me liberty or give me death.

Aphorism: n. a terse saying embodying a general truth, or astute observation
“Power tends to corrupt, and absolute power corrupts absolutely.”

Apologia: n. an apology as in defense or justification of a belief or idea
“I’m sorry you feel that way, but I am right in my assertion that anyone wearing plaid is an idiot.”

Apostrophe: n. indication of omission of one or more letters in a word
Ne’er

Argument: n. a statement or fact for or against a point, process or reasoning, discussion involving differing points of view
My argument abdicating women’s rights showed all of the injustices we still face today.

Assumption: n. something taken for granted or assumed
Elizabeth’s assumption that Mr. Darcy was evil based upon his arrogant attitude was proven false once she learned of his backstory.


Audience: n. the persons reached by a book, radio, or television broadcast
The audience watching BBC is infinitely different from the audience watching MTV.

Characterization: n. portrayal, the creation and convincing representation of fictitious characters, act of characterizing
Direct: “The impatient girl always misbehaved with her calm and quiet brother.
Indirect: “I am paying today for my acts of cruelty.”

Chiasmus: n. a reversal in the order of words in two otherwise parallel phrases
“He went to the country, to the town went she.”

Thursday, January 9, 2014

AP PREP POST: SIDDHARTHA

(1) 1. Select a novel or play; 2. Select one symbol from it; 3. Analyze (a) how the symbol functions in the work, (b) what the symbol reveals about the characters or themes of the work as a whole

(2) Siddhartha (river); The Great Gatsby (green light; eyes of Dr. TJ Eckelburg); Othello (handkerchief); Lord of the Flies (conch shell). Selection: Siddhartha’s river.

(3) (note:  The definition intro and quotation intros are two of my usual go-to’s; the action/image intro is usually a pretty good option as well)

They say the pen is mightier than the sword, and for many writers, the symbol is the sharpest blade available. Poets, playwrights, and novelists alike often use a variety of symbols to communicate their insights and themes with elegance. Although these symbols can prove frustrating for some readers (why can’t they just say what they mean!?), many others, this reader included, find the device to be integral to creating an intriguing and memorable work of literature. Herman Hesse, author of Siddhartha, certainly seems to subscribe to this latter mindset; in Siddhartha, one of his most famous and tightly crafted novellas, Hesse utilizes the symbol of the river to represent the work’s themes regarding the timelessness of existence and the unity of all beings.

(4)

  1. Analyze how the symbol functions in the work
    1. Where and when Siddhartha first encounters it, in the context of the work.
    2. Where and when Siddhartha later encounters it, in the context of the work.
                                               i.     What the symbol reveals to Siddhartha (this is both character and theme related). About the timelessness of existence (put your foot in the river, but river always changing). The river is a river, but it is also an insight into the connections between our personal experiences in time, both positive and negative, and the necessity of all these experiences.
                                             ii.     What the symbol reveals to Siddhartha (both character and theme) about the unity of all beings. Leads to his final epiphany and enlightenment. The river is a river, but it is also the connection of all creatures great, small, friend, and foe. Only when we realize that everyone we encounter in life is a necessary part of our journey and someone to learn from will we achieve our own personal enlightenment.


This is part of a document that you download when you click on this 
Funny how this came up when I typed the same search in.

In order to answer any of these questions, I would need to really read the book over again as a refresher.  I know I could answer that as an essay in a month but I would want to review the material because it doesn't cover what is in the passage at all.

I would need to look closely at symbolism and analyzing the effect it has on the characters and story.  Which isn't quite difficult but I would want to include the different types of literary elements that go along with it in order to give my essay an extra edge on the rest.

CAN WE PLEASE READ SIDDHARTHA AS AN ASSIGNMENT OR LIT. CIRCLE?!